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To read Nickolas Pappas’ memorial essay on the classical scholar Jean-Pierre Vernant, 1914 - 2007, click here.
The Nietzsche Circle and Deutsches Haus present:
ECSTATIC SONNETS:
PHILOSOPHY & POETRY IN RILKE & NIETZSCHE
Jennifer Anna Gosetti-Ferencei
author of The Ecstatic Quotidian: Phenomenological Sightings in Modern Art and Literature
and
Katja Brunkhorst
author of Verwandt/Verwandelt. Nietzsche’s Presence in Rilke
Discuss their recent work on philosophy and poetry in Nietzsche and Rilke
Moderator: Mark Daniel Cohen
Date: Friday, March 28
Time: 7 - 10 PM
Place: NYU’s Deutsches Haus, 42 Washington Mews, at University Place
CALL FOR SUBMISSIONS
The Agonist: A Nietzsche Circle Journal and Hyperion both are seeking submissions. To submit work for The Agonist, please follow the general submission policy for this site, which can be obtained by clicking here. To submit work for Hyperion, please follow Hyperion’s Contributor’s Guidelines, which can be obtained by clicking here. The Agonist and Hyperion both are refereed peer review journals.
Any work received that does not follow the appropriate guidelines will not be read. If you have any questions with regard to our guidelines or submission policy, contact us at “nceditors AT nietzschecircle DOT com”
The Agonist
The Agonist is seeking essays and writers for book reviews as well as translators and interviewers.
With regard to translations, we are seeking translations of Nietzsche’s letters that are currently not available in English, as well as translations of his early and late papers, such as essays, lectures, and lecture notes. A full list of these works can be downloaded by clicking here.
If there is a book you wish to review, send us full details on the book (link to publisher’s page on the book, etc.) and one sample of a published book review you have written. If there is a philosopher or scholar you wish to interview, send us information on the subject, a list of the subject’s prominent publications, a brief note about why you wish to conduct the interview, including your methodology for the interview, and several possible questions.
Authors and book publishers interested in forwarding review copies can contact the editors at “nceditors AT nietzschecircle DOT com” for further details.
Hyperion
Hyperion is seeking essays, book reviews, and translations of poetry.
Essays may cover artists and art works in any of the arts: visual art, literature, music, theatre, dance, cinema, or any other form of art that contributors wish to argue possesses aesthetic legitimacy, such as architecture.
For visual art (works in gallery or museum exhibitions and permanently on museum display) and art in performance, the art covered must have been at least recently available for viewing—ideally, it should still be available for viewing at the time of publication. Since Hyperion is a web journal and can be read throughout the world simultaneously, there is no geographical specificity—the art can be published, recorded and sold, performed, or mounted anywhere.
For book reviews, send us full details on the book you wish to review and a paragraph on why you wish to review the book—why will it be of interest to Hyperion? What is the aesthetic significance of the work?
For translated poetry, we are seeking translations into English of poets who are of significant stature in their own cultures and whose works in English translation have not been published, are out of print, or are infrequently and inaccurately published. All submitted translations must not have been previously in publication. Contributors need not be established translators with previous translations in publication.
We are also seeking translations of Nietzsche’s poetry that attempt a new approach to reflecting his poetic style.
For further details, please see Hyperion’s Contributor’s Guidelines.
The editors can be contacted at “nceditors AT nietzschecircle DOT com”
NIETZSCHE CIRCLE EDITORIAL BOARD
HYPERION
Rainer J. Hanshe, CUNY Grad Center
Mark Daniel Cohen, European Graduate School
THE AGONIST: A NIETZSCHE CIRCLE JOURNAL
Nicholas Birns, New School University
Rainer J. Hanshe, CUNY Grad Center
David Kilpatrick, Mercy College
Alan Rosenberg, CUNY Queens College
Yunus Tuncel, New School University and NYU
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Vision Statement
To create an intellectual and artistic community whereby
individuals of similar spirit and vision may come together
and explore Nietzsche’s philosophy, developing ways in which
it can explode like a dancing star and be transfigured.
It is our purpose to invoke and embrace the notion of gaya
scienza, carrying the Dionysian spirit into contemporary society
to enact necessary transformations, and, in whatever manner
possible, transform culture.
Site Note
Welcome to the Nietzsche Circle website. To assist with your exploration of the site, following is an overview of what can be found in each section:
HOME
In HOME, generally, new material will be posted quarterly in the following sections of our journal, The Agonist: essays; reviews; and interviews.
The Agonist is a peer review refereed journal that features essays, interviews, and reviews as well as current translations of heretofore unavailable Nietzsche texts and rare, obscure, or overlooked studies on Nietzsche’s thought or aspects of it that have received scant attention or been deemed marginal by the philosophical establishment.
The primary concern of The Agonist is with critical interrogations of Nietzsche’s aesthetics, which remain in demand of more significant attention. If art to Nietzsche “is the great stimulus to life,” there is no total valorization of it in his work. As Philip Pothen noted in Nietzsche and the Fate of Art, “Nietzsche’s suspicion concerning art is perhaps the greatest of any since Plato’s, and even, it might be said, including Plato’s.” If this is true, a revaluation of Nietzsche’s aesthetics is duly in order.
In the Nachlass, Nietzsche stated that his general task was “to show how life, philosophy, and art can have a deeper and familial relationship to each other, without philosophy becoming shallow and the life of the philosopher becoming untruthful” [KSA 8: 104]. Thus, although our principal concern is the aesthetic, the aesthetic is inseparable from the philosophic therefore from life. All dimensions of Nietzsche’s thought—classical, mythic, literary, poetic, sacred, ecstatic, etc.—are, we attest, interwoven in the most complex manner and therefore pertinent to our vision.
A further intention of The Agonist is to instigate and spur new modes of writing on Nietzsche in order to embrace and develop different methods of examining his thought, methods that incorporate notions of experimentation and riddling—to write, for instance, on Nietzsche as rabbinical scholars write on The Torah, surrounding a text with numerous conflicting interpretations that come to no resolution, reflecting a radical perspectivism that refuses to offer definitive conclusions. The ‘dangerous maybe’ and the ‘questionable question’ that Nietzsche brings to bear in his agons must, too, be brought to bear against his thought.
In order to enact one of the practices of writing that Nietzsche engaged in, The Agonist will include a section strictly devoted to exegesis. No journal on Nietzsche currently features such writing. This unique section will contain ruminative reflections on passages from Nietzsche’s oeuvre in the manner of the third essay of On the Genealogy of Morals: A Polemic. Its purpose is to foster the art of reading like a cow and writing with blood that Nietzsche struggled to instigate and that his work demands.
The Agonist will also publish reviews of works not directly concerned with Nietzsche that it considers relevant or of particular importance to its overall aesthetico-philosophic concerns. In the Archive section of essays, all previously published essays can be found.
The Interviews section will serve as a forum for more intimate, less formal discussions of Nietzsche’s work or of work which reveals his influence and will include interviews with noted scholars and introduce less well known figures. In the Reviews section, reviews of important new works on Nietzsche, new translations, and other related works can be found.
Our e-journal devoted to art, HYPERION: ON THE FUTURE OF AESTHETICS, is also located in the HOME section of the site; new issues will be posted bi-monthly.
Contact info for the NC, a FAQ about us, our discussion board (currently, it is in the midst of being recreated), and NEWS, where an overview of recently posted material is listed, may also be found in this section. Reading Materials features important new studies on Nietzsche as well as current translations of his own work to keep abreast of new developments in Nietzsche studies.
THE CIRCLE
In THE CIRCLE section, you will find information on the activities of the Nietzsche Circle and its events; a note about the Nietzsche Circle, its Board of Directors (who created and who operates it) and its Advisory Board; how to make contributions to the NC; how to become a member of the NC; and events, wherein you will find info about whatever current event, our event calendar for an overview of events, and Past Events, which serves as a history of our events and which contains a selection of some works presented as well as reviews or assessments of select events.
In this section there are links to other relevant organizations and Nietzsche sites, such as online text sources, the Nietzsche-Archiv, etc.
NIETZSCHE’S WORK
In the NIETZSCHE’S WORK section, you will find biographical info on Nietzsche; NIETZSCHE’S LIBRARY, an extensive document that traces not only the books which Nietzsche read throughout his life, but also lectures he attended as well as professorial work he was engaged in, the music he listened to and composed, and, finally, denotes when and where he wrote his philosophical works. Its primary concern though is with the books Nietzsche was reading; the most abundant references are to those books; WORKS OF NIETZSCHE, a bibliography of all of Nietzsche’s published and unpublished works, including his musical compositions; and WORKS ON NIETZSCHE, a bibliography of studies on Nietzsche’s philosophy listed by category.
In the distant future, the sections Antecedents, Nietzsche’s Philosophical Legacy, and Nietzsche’s Influence on Art and Culture will be completed.
If you have any questions about the site or regarding Nietzsche philosophy, contact the editors and they will answer your query in as timely a manner as possible. The Nietzsche Circle site has been praised for its ease of navigation, its content, and its design; we hope that you too find it stimulating and informative.
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