Hyperion Reading List
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The Hyperion Reading List |
A |
Aesthetics |
B |
Visual Art |
C |
Literature |
D |
Film |
E |
Theater |
F |
Ancient Greece |
G |
Music |
H |
Dance |
I |
Photography |
J |
Pertinent Works of |
AESTHETICS
Giorgio Agamben
The Man Without Content
Aristotle
Poetics
Erich Auerbach
Mimesis
Babette E. Babich
Words in Blood, Like Flowers: Philosophy and
Poetry, Music and Eros in Hölderlin,
Nietzsche, Heidegger
Gaston Bachelard
The Poetics of Space
The Poetics of Reverie
The Psychoanalysis of Fire
Georges Bataille
The Absence of Myth: Writings on Surrealism
Walter Benjamin
Illuminations
Reflections
Edmund Burke
A Philosophical Enquiry into the Origin of our
Ideas of the Sublime and the Beautiful
Guy Debord
The Society of the Spectacle
Michel Foucault
Aesthetics, Method, Epistemology
Sigmund Freud
Writings on Art & Literature
Ortega y Gasset
The Dehumanization of Art
Jennifer Anna Gosetti-Ferencei
The Ecstatic Quotidian: Phenomenological
Sightings in Modern Art and Literature
Pierre Hadot
The Veils of Isis: An Essay on the History of
the Idea of Nature
Georg Wilhelm Friedrich Hegel
Aesthetics: Lectures on Fine Art vol. 1
Francis Hutcheson
An Inquiry into the Original of our Ideas of
Beauty and Virtue
Immanuel Kant
The Critique of Judgement (Meredith translation)
Observations on the feeling of the Beautiful
and the Sublime
Sarah Kofman
Camera Obscura: Of Ideology
Susanne K. Langer
Philosophy in a New Key: A Study in the
Symbolism of Reason, Rite, and Art
Feeling and Form: A Theory of Art Developed
from Philosophy in a New Key
Longinus
On the Sublime
Jean-Francois Lyotard
Lessons on the Analytic of the Sublime
Louis Marin
On Representation
Jean-Luc Nancy
Of the Sublime
Philip Pothen
Nietzsche & The Fate of Art
Friedrich Wilhelm Joseph von Schelling
Philosophy of Art
August Wilhelm Schlegel
Lectures on Art & Literature
Lord Shaftesbury
Characteristics of Men, Manners, Opinions, Times
Gary Shapiro
The Archaeologies of Vision: Foucault and
Nietzsche on Seeing and Saying
Earthwards: Robert Smithson and Art After Babel
Susan Sontag
Against Interpretation
VISUAL ART
The Blaue Reiter Almanac
Apollinaire
Apollinaire on Art: Essays and Reviews 1902-1918
Rudolf Arnheim
Art and Visual Perception: A Psychology of the
Creative Eye
Charles Baudelaire
The Painter of Modern Life
John Berger
Keeping a Rendezvous
Selected Essays
The Sense of Sight
Peter Burger
Theory of the Avant-Garde
Mark Daniel Cohen
The Judenporzellan of Izhar Patkin
Hubert Damisch
The Origin of Perspective
Theory of /Cloud: Toward a History of
Painting (Cultural Memory in the Present)
Arthur Danto
After the End of Art
The Transfiguration of the Commonplace:
A Philosophy of Art
Beyond the Brillo Box: The Visual Arts
in the Post-Historical Perspective
Gilles Deleuze
Francis Bacon
Michel Foucault
This is not a pipe
Piero della Francesca
De Prospectiva Pingendi
Joseph Kosuth
Art After Philosophy and After: Collected
Writing, 1966-1990
Wassily Kandinsky
Concerning the Spiritual in Art
Donald Kuspit
The End of Art
Redeeming Art: Critical Reveries
Psychostrategies of Avant-Garde Art
The Dialectic of Decadence: Between Advance
and Decline in Art
Donald Kuspit, Mark Daniel Cohen, and others
Chawky Frenn: Art for Life’s Sake
Hermann Nitsch
The Fall of Jerusalem
Walter Pater
The Renaissance
Ezra Pound
Gaudier-Brzeska: A Memoir
Rainer Maria Rilke
Auguste Rodin
John Ruskin
Selected Writings
David Sylvester
The Brutality of Fact: Interviews with
Francis Bacon
Leonardo da Vinci
Notebooks
Anthologies:
Theories of Modern Art: A Source Book by
Artists and Critics, Herschel B. Chipp, with
contributions by Peter Selz and
Joshua C. Taylor
Theories and Documents of Contemporary Art:
A Sourcebook of Artists’ Writings, ed. by
Kristine Stiles and Peter Selz
Art in Theory, 1900-2000: An Anthology of
Changing Ideas, ed. by Charles Harrison
and Paul Wood
Art in Theory, 1815-1900: An Anthology of
Changing Ideas, ed. by Charles Harrison
and Paul Wood
Art in Theory, 1648-1815: An Anthology of
Changing Ideas, ed. by Charles Harrison,
Paul Wood, and Jason Gaiger
LITERATURE
Matthew Arnold
“Culture and Anarchy”
Mikhail Bakhtin
The Dialogic Imagination
Rabelais and his World
Maurice Blanchot
The Space of Literature
The Writing of the Disaster
Harold Bloom
The Anxiety of Influence
Map of Misreading
Agon
Katja Brunkhorst
‘Verwandt-Verwandelt.’ Nietzsche’s Presence
in Rilke
Gerald Bruns
On the Anarchy of Poetry and Philosophy
Ernst Cassirer
Language and Myth
S. T. Coleridge
Biographia Literaria
Hart Crane
“The Case Against Nietzsche”
Paul de Man
Blindness and Insight
Allegories of Reading
Gilles Deleuze
Masochism: Coldness and Cruelty
Essays Critical and Clinical
T. S. Eliot
The Sacred Wood
William Empson
Seven Types of Ambiguity
Northrop Frye
The Anatomy of Criticism
The Educated Imagination
Gerard Genette
Mimologics
Jennifer Anna Gosetti-Ferencei
Heidegger, Hölderlin, and the Subject of
Poetic Language
Michael Hamburger
The Truth of Poetry
Martin Heidegger
Poetry, Language, Thought
Friedrich Hölderlin
Essays and Letters on Theory
John Keats
Letters
Philippe Lacoue-Labarthe/Jean-Luc Nancy
The Literary Absolute
John Livingston Lowes
The Road to Xanadu: A Study in the Ways of
Imagination
Stéphane Mallarmé
“Crisis of Verse”
Novalis
Philosophical Writings
Charles Olson
“Projective Verse”
Walter J. Ong
Orality and Literacy
Ezra Pound
Guide to Kulchur
ABC of Reading
Literary Essays of Ezra Pound
The Chinese Written Character as a Medium
for Poetry
Arthur Rimbaud
“Voyant Letters”
Friedrich Schiller
On Naïve and Sentimental Poetry
Friedrich Schlegel
Dialogue on Poetry and Literary Aphorisms
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