HYPERION
HYPERION ARCHIVE
CFPs
Policy Statement
Contributor’s Guidelines
Hyperion Contributors
Hyperion Reading List
News
Essays
Interviews
Reviews
Reading Materials
Memento Mori
Submission Policy
FAQ
 
 
 



The exemplary modern artist is a broker in madness.
—Susan Sontag


Archive




VOLUME III - 2008

VOLUME II - 2007

VOLUME I - 2006





VOLUME III - 2008





Volume III, Issue 1, February 2008


    On Music

    Delusion 2.0; Harry Partch and the Philosopher’s Tone

    Delusion of the Fury

    Japan Society, December 7, 2007

    by Philip Blackburn


    On Literature

    Interview with Katja Brunkhorst

    by Angela C. Holzer


    book review: Routledge Philosophy Guidebook to Nietzsche on Art

    written by Aaron Ridley

    reviewed by Benjamin Moritz


    On Theater

    Stoic Nihilism & the Beauty of Oblivion:

    A Meditation on Beckett’s Happy Days

    Happy Days

    BAM, Brooklyn, NY, January 8 – February 2, 2008

    by Rainer J. Hanshe


    Mediated Understandings

    Deep Trance Behavior in Potatoland (A Richard Foreman Theater Machine)

    Ontological-Hysteric Theater, New York, January 22 – April 13, 2008

    by Nicholas Birns





VOLUME II - 2007





Volume II, Issue 4, December 2007


    On Art

    Water Ambient Through Water

    Georges Seurat: The Drawings

    The Museum of Modern Art, New York

    by Mark Daniel Cohen


    Why Serra Matters

    Richard Serra Sculpture: Forty Years

    The Museum of Modern Art, New York

    by Mark Daniel Cohen


    Special Section: Original Paper on Nietzschean Aesthetics

    Nietzsche and the Future of Art

    by Friedrich Ulfers and Mark Daniel Cohen


    On Literature

    book review: ‘Verwandt-Verwandelt’. Nietzsche’s Presence in Rilke

    written by Katja Brunkhorst

    reviewed by Angela C. Holzer


    Poetry in Translation

    Nietzsche: A Selection of Poems in Translation

    translated by Mark Daniel Cohen


    Special Section: Original Play on Descartes

    Renati the King

    by Gian DiDonna


    New Section!

    The Hyperion Reading List

    by the editors of Hyperion





Volume II, Issue 3, October 2007


    On Art

    The Hurtle of the Universe: The Critique of Pure Sculpture of David Rabinowitch

    David Rabinowitch: Phantom Group

    Peter Blum Gallery, New York

    by Mark Daniel Cohen


    The Dynamism of the Beautiful

    Joseph Raffael

    Nancy Hoffman Gallery, New York

    by Mark Daniel Cohen


    Wrestling with Nature: The Obscuring Mirror & the Dream of True Perception

    Van Gogh and Expressionism

    Neue Galerie, New York

    by Rainer J. Hanshe


    On Literature

    The Body ‘Prefers Not To’: Nietzsche on Ethereal Run in Melville and Acker

    by Camelia Elias


    book review: Romantic Poetry and the Fragmentary Imperative:
    Schlegel, Byron, Joyce, Blanchot

    written by Christopher A. Strathman

    reviewed by Camelia Elias


    book review: Pure Pagan: Seven Centuries of Greek Poems and Fragments

    edited and translated by Burton Raffel

    with an introduction by Guy Davenport

    reviewed by Emily Fairey


    book review: Anxious Pleasures

    written by Lance Olsen

    reviewed by Walter H. Sokel


    New Section

    Poetry in Translation

    Yves Bonnefoy: A Selection of Poems in Translation

    translated by Mark Daniel Cohen





Volume II, Issue 2, June 2007


    On Literature

    Writing the Apocalypse: Voicing Silence Through Time

    Tadeusz Rózewicz, new poems

    by Rainer J. Hanshe


    On Art

    The Rise of the Good-Enough: A Meditation on the Drawing as a Work of Art

    Drawings In Dialogue: Old Master Through Modern

    The Art Institute of Chicago

    by Brian Robert Hischier





Volume II, Issue 1, February 2007


    On Literature

    The Century of Beckett

    Samuel Beckett: Works for Radio: The Original Broadcasts

    by Mark Daniel Cohen


    Special Section: Agnes Denes

    Manifesto, Mathematics in My Work, and Other Essays

    by Agnes Denes


    The Self-Intricating Art of the Mind

    Agnes Denes: Uprooted & Deified—The Golden Tree

    BravinLee programs, New York

    by Mark Daniel Cohen


    On Art

    Islands in the Cosmos: Visions of Man Adrift and Apart

    Odd Nerdrum, Paintings

    Forum Gallery, New York

    by Rainer J. Hanshe


    The Visioning of the Loss

    Adam Straus: Small Memorials for a Great Loss

    Nohra Haime Gallery, New York

    by Mark Daniel Cohen


    The Trick of the Light

    Karen Gunderson: Black Paintings

    ClampArt, New York

    by Mark Daniel Cohen





VOLUME I - 2006





Volume I, Issue 4, December 2006

    The Skin of Perception: Phenomenology as a Cartesian Proposition

    BODIES... The Exhibition

    South Street Seaport Exhibition Centre, New York

    by Mark Daniel Cohen


    Ecce Homo: The Tragic Passion of Auguste Rodin

    Master Sculptor, Rodin in Istanbul

    Sakıp Sabancı Museum, Istanbul

    by Rainer J. Hanshe





Volume I, Issue 3, October 2006

    Notes on a Visual Philosophy

    by Agnes Denes


    The Mood of the Matter: The Aesthetic Emotion at the Heart of Modernism

    No Limits, Just Edges: Jackson Pollock Paintings on Paper

    Solomon R. Guggenheim Museum, New York

    by Mark Daniel Cohen





Volume I, Issue 2, August 2006

    Figures Cut into the Air: The Ballet of Mathematical Elegance

    David Smith: A Centennial

    Solomon R. Guggenheim Museum, New York

    by Mark Daniel Cohen





Volume I, Issue 1, May 2006

    The Phenomenological Loss of the Soul

    Edvard Munch: The Modern Life of the Soul

    MoMA, New York

    by Mark Daniel Cohen




Hyperion is published by the Nietzsche Circle and

edited by Rainer J. Hanshe and Mark Daniel Cohen.




Anyone interested in contributing work to Hyperion should read the Contributor’s Guidelines page and contact the Editors of Hyperion for further information, at “hyperion-future AT nietzschecircle DOT com”






Home | Contact Us | About Us | Site Map| Use Policy | Privacy Statement
All articles, essays, art works are copyright their respective authors. All Rights Reserved © 2004 - 2007 | NietzscheCircle.com



HOME THE CIRCLE NIETZSCHE’S WORK CONTACT INFO SEARCH THE SITE