A Writer's Journal on Philosophy and Art

The characteristic aim of modern art, to be unacceptable to its audience, can be regarded as the inverse statement of the unacceptability to the artist of the very presence of an audience—in the familiar sense, an assembly of voyeuristic spectators. At least since Nietzsche observed in The Birth of Tragedy that an audience of spectators as we know it, those present whom the actors ignore, was unknown to the Greeks, a good deal of contemporary art seems moved by the desire to eliminate the audience from art, an enterprise that often presents itself as an attempt to eliminate “art” altogether. (In favor of “life”?)
—Susan Sontag

Current Issue

Volume IV, Issue 1, April 2009

This issue of Hyperion is dedicated to the memories of Harold Pinter and James Purdy.

    Visual Art

    The Picturesque Element in American Pop Art: or the Media in Disguise

    by Marcella Tarozzi-Goldsmith

    WEB | PDF

    The Crisis of Cognition: On Memory and Perception in Chris Marker’s The Hollow Men

    Chris Marker, “Quelle heure est-elle?”

    by Rainer J. Hanshe

    WEB | PDF

    Dance

    Mathinna

    reviewed by Nicholas Birns

    WEB | PDF

    Theater

    Layers of the Past: Parsifal at Bayreuth 2008

    by Daniela Zimmermann

    In English

    WEB | PDF

    In German

    WEB | PDF

    Our Two Cents Worth: An Opera of Work, Timeliness, Renewal

    The Two-Cents Opera

    reviewed by Nicholas Birns

    WEB | PDF

    Literature

    Abandoned on the Mountains of the Heart

    by Katja Brunkhorst

    introduction by Rainer J. Hanshe

    WEB | PDF

    Posthumous Papers of a Living Author

    written by Robert Musil

    reviewed by Cecile Rossant

    WEB | PDF

    The World at a Glance

    written by Edward Casey

    reviewed by David Kleinberg-Levin

    WEB | PDF

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    The Ecstatic Quotidian, by Jennifer Anna Gosetti-Ferencei

    Special Discount Offer for Hyperion Readers

    WEB

    COMPLETE ISSUE IN ONE FILE

    To download this entire issue of Hyperion as a single, fully designed PDF file:

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Hyperion is published by the Nietzsche Circle and

edited by Rainer J. Hanshe and Mark Daniel Cohen.

Anyone interested in contributing work to Hyperion should read the Contributor’s Guidelines page and contact the Editors of Hyperion for further information, at “hyperion-future AT nietzschecircle DOT com”